
photo above: jon jensen photography
here at design*sponge, we’ve been following the work of heather frazier since 2007, when we became completely captivated by her ethereal mobiles. four years ago – after 20 years in san francisco – heather and gallery owner husband charles hartman moved to portland. daughter elizabeth was just about to head off to college, and the couple felt ready to pull up stakes and make their own move. they settled in this light-filled craftsman home where heather now spend her time making gorgeous paper arts! (i have to admit to a little envy looking at all that built-in storage!) {thanks heather and charles! and many thanks to jon jensen for the lovely photographs!} -amy a.
[Our home is a 1923 craftsman bungalow located in a lovely Northeast neighborhood of Portland. One of the things we love the most about our house are the high ceilings, large rooms and lots of closet and storage space. The original built in bookshelves and cupboards are pretty great too. The huge picture windows in the dining and living rooms are a daily source of pleasure. We try to spend a little time everyday just watching the world go by - neighbors, animals, kids and nature.
The photo above is one of the 4 bedrooms in the home. We use it as a sitting room. The sofa is from Mitchell Gold, the gold branch is a vintage piece from one of my old haunts in San Francisco. The lamps are also vintage - found at a Portland antique mall.]

photo above: jon jensen photography
[photo above: We bought the Knoll Womb chair many years ago when Knoll used to have their amazing 40% off sales. The sofa is the Neo from Bensen.]

photo above: jon jensen photography
[photo above: I started collecting vintage colored glass quite a few years ago. I used to go to the Alameda flea market in the Bay Area regularly and that is where I found some of the first pieces in my collection. It is one of the few things I miss about living in San Francisco.]

photos above: jon jensen photography
[photo above left: The kitchen was the only room in the house that we had to renovate. The previous owners had put in Home Depot cherry wood cabinets which I felt were completely wrong for the house. I have always loved open shelves and simplicity in a kitchen so we had open shelving made and refaced all of the bottom cabinets and painted them white, which makes a nice backdrop for more of my vintage colored glass.
photo above right: The dining room table is a well-loved (and well-used!) spot in our home. Charles and I spend a good deal of our time together here, reading and eating, talking and watching the day unfold. The table is a marble Saarinen that we purchased from Hive in Portland. The chairs are Eames Eiffel chairs.]
CLICK HERE for the rest of Heather’s peek (and all the images on one page)!

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[photo above: I bought these vintage country Thai doors many years ago from an antique dealer in San Francisco. I just love carved motifs and the colors revealed by the peeling paint.]

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[photo above: Love these tree trunk side tables from West Elm!]

photo above: jon jensen photography
[photo above: These lacquered shelves lining the hallway are also from West Elm. I use them to display some of my little vintage treasures.]

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[photo above: This is Charles's office. He worked from home for a couple of years while his gallery was being built. He started his career as a rare photography book dealer. As the bookshelves hint, he is an avid reader and book lover. We built these shelves to house his collection]

photo above: jon jensen photography
[photo above: Hanging behind the bed is a vintage Japanese obi. I like to use them as wall hangings. (I made the pillows.)]

photo above: jon jensen photography
[photo above: This is Elizabeth's room when she is visiting. The Parsons desk is from West Elm. The mirror is vintage. The mobile is one of my designs: frazier & wing. And the bedding is Chinoiserie from DwellStudio.]

photo above: jon jensen photography
[photo above: The green and white mobile is part of my current collection. It is hanging in front of a collage by Rex Ray, which was a birthday gift form Charles.
The mobile on the right is from my debut collection of magazine mobiles, which are no longer in production. Rex Ray's use of cut paper in his collage work was an influence when I first started making mobiles and garlands. That was in 2000 (well before the current trend! ) when I was making mobiles and garlands to use in my window displays in my retail shop.]